Two is Company
6:38PM, July 15th, 2007
Yesterday was a day not of wine and roses, but close enough.
In the morning I high-tailed my way to Sydney on the train (thank goodness they are running again) to meet up with fellow blogger, Jelly. This particular young lady takes the prize as the first ever “interwebs person” I have ever met in person. Actually, right after James (damn, really should have planned this paragraph). I thought I’d be safe because she’s a musical theatre chick, and they are all sane, right? Also, one of her emails contained the line “I promise not to rob or molest you”. That’s sounds like a promise I can risk testing.
In reality, Jelly was such an engaging, passionate and downright spunky lady that I probably wouldn’t have minded if she had robbed me. We chatted for hours about musicals and the like, ate food, wandered the city, occasionally finding maps before loudly declaring, “Oh, we are HERE” as if to appease the surrounding people that we actually did know what we were doing. I even met her entirely charming family before taking my leave, hoping we’d find the chance to catch up again after she returns to her home state.
Once I hit the street, I worked my way, using a combination of the alignment of the stars and an expert sense of smell to the corner of blah blah and whatsit streets where I was picked up by Brett, Min and Adam as they entered the city. Shortly after we met up with Tim and Chae for some dinner in Circular Quay before going off the respective shows we had tickets for. Myself, Brett, Min and Adam all had tickets for Company (which the other boys, and Jelly, in separate parties, had seen the night before).
Company, being a Sondheim show is one I’m particularly fond of. It was surprising then that I was left a little cold by the first act, and more particularly the first half. A lot of the performances in the karate/brownie scene seemed to be played in this broad caricature style that to me undermined the importance of those early scenes as showing Bobby (and the audience) the different nature of marriage. This certainly appeared to be a direction thing, not one or two actors hamming it up. The scenes seemed drawn out whereas in previous productions they hadn’t. The show certainly picked up with Getting Married Today which was hilariously staged, and the second act was thoroughly more enjoyable than the first. Amongst all the bits of “clever” in the show’s direction, I felt the choreography fell a bit flat because by the time we get to the vaudeville pastiche number (Side by Side/What Would We Do Without You), the audience had already seen a lot of that style of movement performed by the company, particularly in the early scenes. Otherwise, I thoroughly enjoyed the interpretations of the characters, the playfulness the show had and the songs were all fantastically performed. My other two gripes relate to the sound being firstly, the cast were too quiet (in relation to the amplification of the band). At times vocal lines were completely lost in the mix. Secondly, the smallish but highly effective and tight orchestra suffered keyboard strings (which stank so badly), an awful piano patch (general midi piano, anyone), woeful drum mic’ing (as Jelly said “it sounded like someone flicked the switch on the keyboard over to Bossa Nova”). The supplemented brass sounded great, to my ears at least, and I’d be very curious how it worked, as I didn’t pay enough attention to see if it was just a keyboard patch. These really are minor niggles on a really enjoyable show, however, even if an amateur production I saw a few years ago had a larger and better mixed orchestra.
I almost wasn’t going to mention this because who am I to criticise this, but the costumes were just plain weird at times. To quote Jelly (she is so darn pithical!), the costumes looked like “what an old woman thinks strippers would wear.” Because we all know that young people = strippers, right?
After the show, we spent a few hours getting out of the carpark and then made our way back home, stopping in at the McCafe where a rather butch looking security guard suddenly turned pale and started to soil his pants as soon as a real issue started up with some guys yelling at each other.
All in all, such a splendid day of great ‘Company’ and brilliant company.
Posted in Uncategorized | 8 Comments
A twenty-two year old ex-student, musician, performer with a degree in creative arts with little idea what to do with it.

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Yes, the car park shananagans were quite fun, but young penelope handled it well. An excellent night had by all.
Comment by Brett — July 16, 2007 @ 12:22 am
In the spirit of Floyd Collins, here’s a riddle for you: If two’s company and three’s a crowd… what on earth is four? (Answer: A Quarry!)
Comment by Adam — July 16, 2007 @ 4:24 am
Brett - Penny hasn’t let us down yet.
Adam - I was going to say the swing tree!
Comment by Tyson — July 16, 2007 @ 10:26 am
I would of thought enlightening your readers with what we learnt about women from a “friend” at Circular Quay would of made for interesting reading.
Comment by Brett — July 16, 2007 @ 11:53 am
Do you find that amateur productions tend to have more or less soul in them - more enjoyment and energy from the cast etc rather than it being just another job for an actor?
Trains run all the time, they just don’t run at the times you need them. It’s all part of the plan.
Comment by Kevin — July 16, 2007 @ 1:39 pm
Brett - I don’t say words like that. At least, I don’t on the internet.
Kevin - I think it would be impossible to run a show dozens and dozens of times and not get sick of it, or at least maintain a genuine enthusiasm. I do think its the actors job to appear to be enthusiastic about it, even when they aren’t. It’s not something I’m overly conscious about, but sometimes you do notice it. And re: the trains, the train trip is a lot more pleasant than a bus trip, even if I was next to a seemingly dead old man.
Comment by Tyson — July 16, 2007 @ 3:40 pm
I must say that I agree. I am going to be ridiculously depressed if, in 6 months time, I am merely a secondary music and drama teaching. I, however, already have one foot in said grave. With only half a year left in this awful, soul crushing, child hating degree I can safely say that i NEVER want to work in a high school… however you’re subdean was correct… it is a good thing to have to fall back on…
i too experienced the crushing effects of a dying heater. This morning I awoke to a typicaaly frigid Canberran morning only to find that my trusty, almost entirely useless, bar heater had died… luckily for me the replacement is far and away better and I am now happily full of good food, good wine and basking the the heat wave that has suddenly hit my small patch of our capital!
Comment by Zoe — July 18, 2007 @ 10:13 pm
Agree that the music was overpowering and the performances were perhaps overly broad. I expected Gale Edwards’ direction to be more nuanced, but I can’t deny that it worked for the audience I was in. Strangely, a lot of the times moments that I thought were obviously scripted to be funny didn’t generate laughs.
Did have serious issues with David Campbell’s acting in the first half. His Bobby struck me as entirely unlikeable and superficial, even artificial. I was discussing this with friends during interval and was really hoping that this was a deliberate choice, intended to show off Bobby’s “journey” (a favourite phrase of Edwards’) from detachment to revelation. And indeed that’s what happened in the last 20-30 minutes; and his “Being Alive” was the most raw, emotional interpretation I’d ever seen. Too much with the sobbing? Maybe, but it worked for me, and it redeemed his performance to that point.
Still, I was hoping to see Campbell display the sort of depth he displayed in, say, Les Miz (he’s the best ACTED Marius I’ve seen, narrowly beating out Simon Burke) - or the incandescent charisma he can generate in cabaret - THROUGHOUT the performance, not just in the final scenes.
Comment by Jean Prouvaire — August 5, 2007 @ 5:01 pm